In a letter to the Prime Minister an incredible list of music makers including Annie Lennox OBE, Paloma Faith, Chris Martin, Paul McCartney, Rebecca Ferguson, Bob Geldof, Boy George, Noel Gallagher and Kate Bush CBE, have written “on behalf of today’s generation of artists, musicians and songwriters here in the UK”. In an unprecedented show of solidarity, they’ve asked him to update UK law to “put the value of music back where it belongs – in the hands of music makers.”
More and more people are streaming music – heightened by the pandemic – but, as the artists point out, “the law has not kept up with the pace of technological change and, as a result, performers and songwriters do not enjoy the same protections as they do in radio,” with most featured artists receiving tiny fractions of a US cent per stream” and session musicians receiving nothing at all.
The letter suggests that “only two words need to change in the 1988 Copyright, Designs and Patents Act…so that today’s performers receive a share of revenues, just like they enjoy in radio” – a change which “won’t cost the taxpayer a penny but will put more money in the pockets of UK taxpayers and raise revenues for public services like the NHS” and which will contribute to the “levelling-up agenda as we kickstart the post-Covid economic recovery.”
The letter is backed by the Musicians’ Union and The Ivors Academy, collectively representing tens of thousands of UK performers, composers and songwriters, brought together in partnership with the #BrokenRecord campaign led by artist and songwriter, Tom Gray.
The Commons DCMS Committee has been examining this issue with its Economics of music streaming inquiry, but it is understood that this issue falls between the remits of both the DCMS and BEIS departments, which is why the artists have chosen to address it to the Prime Minister.
The letter also recommends “an immediate government referral to the Competition and Markets Authority” because of “evidence of multinational corporations wielding extraordinary power” over the marketplace and the creation of an industry regulator.
They write that these changes “will make the UK the best place in the world to be a musician or a songwriter, allow recording studios and the UK session scene to thrive once again, strengthen our world leading cultural sector, allow the market for recorded music to flourish for listeners and creators, and unearth a new generation of talent.”
Horace Trubridge, General Secretary of the Musicians’ Union, said:
“I’m delighted to see so many artists, performers and songwriters backing our call. Streaming is replacing radio so musicians should get the same protection when their work is played on streaming platforms as they get when it’s played on radio.
“As the whole world has moved online during the pandemic, musicians who write, record and perform for a living have been let down by a law that simply hasn’t kept up with the pace of technological change. Listeners would be horrified to learn how little artists and musicians earn from streaming when they pay their subscriptions.
“By tightening up the law so that streaming pays like radio, we will put streaming income back where it belongs – in the hands of artists. It’s their music so the income generated from it should go into their hands.”
Tom Gray, Founder of the #BrokenRecord Campaign, said:
“Our country prides itself on its formidable music pedigree. The signatories of this letter hope the generations that follow them can have the kind of sustained careers they have enjoyed. Today, there is much to indicate that kids need to be from wealthy backgrounds in order to risk working in the music sector.
“Streaming, a brilliant way of enjoying music, held the promise that smaller and mid-level artists might be able to live comfortably with a committed audience, instead only a few enjoy streaming’s rewards. “Billions go to a few foreign corporations while, commonly, musicians and songwriters are experiencing financial difficulty.
“This letter is fundamentally about preserving a professional class of music-maker into the future. Most musicians don’t expect or want to be in the gossip pages, they just want to earn a crust.”
There is evidence of enormous hardship amongst musicians with over a third saying in recent polling that they are considering abandoning the industry altogether.
Crispin Hunt, Chair of The Ivors Academy, said:
“In streaming, the song is king, but songwriters and composers do not enjoy the true value of their work and struggle to make a living.
“The record companies are now simply marketing firms. Without manufacturing and distribution costs, their extraordinary profits ought to be shared more equitably with creators.
“Our industry has an unfortunate history of pitching artists, performers and songwriters against each other. With this letter, we are finally speaking with one voice to say ‘enough is enough’. Our industry is broken, Government can and should help us fix it.”
