Archive
View galleries, winners and nominees of British Composer Awards from 2003 to 2018 and Ivor Novello Awards at The Ivors Composer Awards since 2019.
The Ivors Composer Awards 2021
ZOE RAHMAN
This year’s Impact Award recognises a composer and pianist who is one of the brightest stars on the contemporary jazz scene. Zoe Rahman shines a one of Britain’s most powerful compositional voices and important contemporary artists who puts a spotlight on jazz from the UK as an international musical force.
Listen to Zoe Rahman’s music on Apple Music
CLEVELAND WATKISS
The Ivor Novello Award for Innovation recognises a creative innovator. The Academy described Cleveland Watkiss as a pioneer in the universe of sound, a tireless and fearless explorer who always travels his own way. His work in ensembles reveals an insight, and skill as a spontaneous composer sensitive to the conditions that allow creative improvisation to thrive. He is unique globally and in the annals of British Jazz and contemporary music, uncategorisable. Beyond his work as a band leader and vocalist extraordinaire, across jazz, drum ‘n’ bass, reggae and beyond, he continues to help educate others, passing on the wisdom accumulated by his years of trailblazing.
Listen to Cleveland Watkiss’ music on Apple Music
BYE
Composed by Alex Paxton
for small jazz ensemble and improviser
10 mins
listen on SoundCloud
CORNCRACK DREAMS
Composed by Alex Paxton
for trombone, keyboard and drums
2 mins
commissioned by Nevis Ensemble and North Uist Distillery
listen on Apple Music
DREAMS
Composed by Brigitte Beraha and Dave Manington
for jazz sextet
9 mins
listen on Apple Music
Winner
Read more
THE CAGED BIRD
Composed by Nikki Iles
for jazz band
9 mins
commissioned by The International Society of Jazz Arrangers and Composers
THE RISE OF THE LIZARD PEOPLE
Composed by Ivo Neame
for jazz orchestra
6 mins
listen on Apple Music
Winner
Read more
CATAMORPHOSIS
Composed by Anna Thorvaldsdottir
for orchestra
20 mins
commissioned by Stiftung Berliner Philharmoniker, New York Philharmonic, City of Birmingham Symphony Orchestra and Iceland Symphony Orchestra
watch an excerpt on YouTube
for more information and to order the score visit Wise Music Classical
DEMOCRACY DANCES
Composed by Conor Mitchell
for symphony orchestra
13 mins
commissioned by Oh Yeah Music Centre, Belfast (with the Belfast Ensemble)
watch on YouTube
KAAMOS
Composed by Lara Poe
for orchestra
11 mins
commissioned by Lahti Symphony Orchestra
listen on SoundCloud
PHARMAKEIA
Composed by James Dillon
for 16 players
52 mins
commissioned by London Sinfonietta and Ensemble Intercontemporain with support from the Ernst von Siemens Music Foundation
watch on YouTube
for more information and to order the score visit Edition Peters
THIS DEPARTING LANDSCAPE
Composed by Martin Suckling
for orchestra
20 mins
commissioned by BBC Radio 3
listen on Apple Music
for more information and to order the score visit Faber Music
ALEXANDER GOEHR
The Ivor Novello Award for Outstanding Works Collection recognises an exceptional body of classical works. In presenting the award to Alexander Goehr the Academy said his remarkable music has defined its own significance for the past 70 years. Varied and skilful, it contains a beauty that draws the listener into a unique and enigmatic world of sound.
Listen to Alexander Goehr’s music on Apple Music
Find out more about this music via Schott Music
A FIELD GUIDE TO PEBBLES
Composed by Lynne Plowman
for percussion duo
11 mins
funded by Arts Council of Wales
listen on Apple Music
for more information and to order the score visit Composers Edition
NIGHTINGALES: ULTRA-DEEP FIELD
Composed by Tansy Davies
for string quartet
17 mins
commissioned by Stiftung Berliner Philharmoniker, Southbank Centre, London and Arditti Quartet, with the support of the Ernst von Siemens Music Foundation
for more information and to order the score visit Faber Music
Winner
Read more
SOMETIMES VOICES
Composed by Alex Paxton
for keyboard and drums
10 mins
commissioned by Hyper Duo
watch on YouTube
listen on Apple Music
STILL LIFE
Composed by Stephen Goss
for cello and guitar
15 mins
commissioned by Patterson/Sutton duo through the Clyfford Still Museum, Denver, CO, USA
listen on Apple Music
WICKED PROBLEMS
Composed by Laura Bowler
for voice and bass flute with fixed tape
9 mins
commissioned by Sound Festival with the support of PRSF Beyond Borders
listen on SoundCloud
watch on YouTube
‘ECHO THE ANGELUS’
Composed by James Dillon
for piano
26 mins
for more information and to order the score visit Edition Peters
Winner
Read more
LAMPADES
Composed by Martin Iddon
for tuba and fixed media
30 mins
commissioned by Jack Adler-McKean
watch on YouTube
LINEAR CONSTRUCTION (NO. 5)
Composed by Alex Groves
for cello
4 mins
listen on Apple Music
NO ONE
Composed by Robin Haigh
for harp
10 mins
commissioned by Presteigne Festival and Royal Philharmonic Society
watch on YouTube
FIRE PREVENTION OR HOW TO SING A LABYRINTH OR THE REBEING AND THE BURNING OF THE LABYRINTH
Composed by Nwando Ebizie
for piano, voice and electronics with field recordings
38 mins
commissioned by Radiophrenia and Supernormal Festival
listen on SoundCloud
An experimental listening journey for static listener inspired by Borgesian labyrinths. A ritual for the artist and the listener. The piece incorporates binaural field recordings, interviews, piano, sampling, poetry, storytelling. It is an attempt to create a phenomenological labyrinth in audio form.
Winner
Read more
LONDON 26 AND 28 MARCH 2020: IMITATION: INVERSION
Composed by Caroline Kraabel
for baritone, alto and sopranino saxophones, double bass and film
39 mins
The film started as 40 minutes of shots of London during the first UK Covid 19 Lockdown (the strict phase of which began on 23 March 2020). These were taken on my phone during permitted exercise (cycling).
The shots from 26 March are “imitated”. On the alto saxophone I have recreated and recorded as many as possible of the original sounds from the (poor-quality) audio on my phone-shots, and thus replaced the original audio.
The shots from 28 March replace the original audio, too, but are “inverted”. I wanted to make a soundtrack that was in some definable way the OPPOSITE of the actual sounds recorded on my phone.
NOCTURNAL INSIGHTS
Composed by Nikki Sheth
field recordings of crepuscular and nocturnal wildlife in the UK
6 mins
commissioned by Land Lines Project
listen on SoundCloud
This soundscape piece reveals the hidden sounds of nocturnal wildlife in the UK in order to bring a wider awareness of environmental sound and to preserve and archive sounds of the natural world before they disappear.
THE CUCKMERE SOUNDWALK
Composed by Ed Hughes
for chamber orchestra
30 mins
listen on Apple Music
The Cuckmere Soundwalk was launched in September 2020 by the composer for the ECHOES interactive soundwalks App. This App uses geo-location to enable users to enjoy site-specific walking experiences with immersive sound and music. Cuckmere Haven is an area of flood plains in Sussex, where the river Cuckmere meets the English Channel. Its location is between the coastal towns of Seaford and Eastbourne.
WAVES OF RESISTANCE (RADIO ART WITHOUT BORDERS)
Composed by Magz Hall
for WASP synth and location recordings from the Irish Sea and Canterbury Garden
11 mins
commissioned for the Aerial/Sparks Arts Trail on Innis Orr
curated by Louise Manifold for Galway 2020 European Capital of Culture 2020
funded by the Irish Arts Council and The Irish Marine Institute
A radiophonic work that considers how radio helps us with forced isolation, and how visible and invisible boundaries can be broken via radio waves as an act of resistance.
listen on SoundCloud
SARAH ANGLISS
Sarah Angliss is no ordinary musician. Classically trained, specialising in baroque and renaissance music, she also studied electroacoustic engineering and robotics, and both sides of her education inform her art. A startling and multifaceted creative technologist and composer, she performs with both humans and machines, bringing electronic innovation into her unique compositions. Angliss creates a strikingly original sound world that reveals a unique and exceptional compositional voice.
Listen to Sarah Angliss’ music on Apple Music
BARUCH – TEN PROPOSITIONS OF BARUCH SPINOZA FOR TENOR AND PIANO
Composed by Michael Zev Gordon
for tenor and piano
21 mins
commissioned by Oxford Lieder Festival
listen on SoundCloud
for more information and to order the score visit Composers Edition
Winner
Read more
GYÖKÉR (ROOT)
Composed by Thomas Adès
for mezzo-soprano and four percussionists
4 mins
commissioned by Oliver Zeffman
listen on Apple Music
watch an extract on YouTube
NEVER TO FORGET
Composed by Howard Goodall
for SATB choir and small orchestra
8 mins
commissioned by London Symphony Chorus
watch on YouTube
for more information and to order the score visit Faber Music
THINKING I HEAR THEE CALL
Composed by Cheryl Frances-Hoad
for soprano, speaker and electronics
5 mins
commissioned by Electric Voice Theatre
listen on SoundCloud
VIDI AQUAM
Composed by James MacMillan
for 40 a cappella voices, split into 8 SSATB choirs
9 mins
commissioned by ORA Singers
listen on Apple Music
for more information and to order the score visit Boosey & Hawkes